1. |
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PROLOGUE: READING OF THE MINUTES
Lost
adrift
at sea
I grasped from the debris
some forlorn, forgotten object
wholly inadequate to express myself
I’ve been working since before I can remember
transforming now for so long
my mind and muscles are so tired and tender
know nothing now but my work song
oh, the minutia
oh, the minutes
oh, how they turn
to hours
after countless hours of toil,
sweat, horror, discovery, and transfiguration,
I transformed that unrecognizable object
into this
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2. |
No. 2 - Work Horse
04:55
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you always said you weren’t afraid to work
you always said you weren’t afraid
but when i saw you sitting on your horse
i always thought you had it made
you once knew what you wanted from your work
but that was before
you did your best before you did your worst
who were you working for
why is it that every time i get to work
i feel the time slipping away
don’t get to keep them both, that’s not how it works
just ask yesterday
discarded tools
picked up by fools
made into jewels
offered to you
feed my work horse
beat my work shift horse
if it please thy workship
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3. |
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oh, the hours spent watching
this intense fixed staring
just barely not exactly directly back at me
this arduously calculated imprecision
in countless repetitions
these innumerable infinitesimal unawarenesses
spawning this continuous avoidance
reflected blindingly in my own incalculable ravings
fashions and transfigurations, trends and tendencies
right down to the trembling seven layer muscle
somehow resembling what you see before you
why do i keep these hours, so faithfully?
how can i sleep when these powers won’t let me be?
waking dreams continue continuing
while other scenes play on and on, in repeat
and a memory rushes in
bringing melody to the din
within me
how loud i sing, wings pound inertially
drowned by the ring of these shackles’ security
and if someone who understands
can appraise these calloused hands
(for free)
oh then, maybe I will know
which ground is best to grow
me
someday, maybe I can work
on something that doesn’t hurt
or fade
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4. |
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something in
something from within
the in/outside of the din
on the out/inside
calls again
ah but only when
the workhorse stops to listen
in mid stride
remember him
as if he’s always been
nearer than
the masters around
far away, hear the day
when work is play
and ennui gives way
to a silent sound
“i did not mean to interrupt
as you drink from your broken cup
of me”
after many stormy years
i’m the only one who hears
the grinding of the gears
and the coming of worlds unclear
or a reason to paint my tears
in a portrait of my fears
lovingly
alone as i’ve ever been,
i am seen as i’m yet unseen
by the eye
he looks like me
one hundred planets wide
eye stretches on
across the great divide
and if someone who understands
gently lets go of my hands
i’ll grow wings
and as time does its work on me
i transcribe its melody
as it rings
and until i remember how
to say “can you hear me now?”
i will sing
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5. |
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the horse’s work is given to him, he has options but no choice
he performs his task perfectly, he has muscles but no voice
the work proceeds as planned, and the empire grows with master’s fame
the horse did all the work, though no one knows his name
all time pressure changes rally round
the storm is stabler than you know
accretion disks slice tomahawk down
like butter through the windows
it’s coming i say, but watch your tongue
i do believe it’s on fire
anyway, which mouth are you now speaking from
and to what do your words aspire?
for one’s accretion is another’s diminution
depending where you’re sitting
ten new problems come free with every solution
each demanding you to do its bidding
but back to the current events of focus
evinced by goosebumps and flow
galactic eyebrows furrow at us
as if our small struggle they know
inversion of flesh reveals luminous magma
emitting a frequency describable only as song
particles teeming serenely, excitedly
aglow like shooting stars, or birds at dawn
when will you settle down? Alas, still asks.
there’s no one else here, just my choices
is this thing on? I ask, aware only of my amusement
which spirals into fragmentation at defined pitch
i rise aloft, changing only in scope
as my song loudens
unaware of the things most dear to me,
but keeping them fed
my self starving of overinflation,
I listen as my ear recalculates
a signal that’s been coming in since the beginning
listen, it’s right where you’re looking
listen, it’s happening now
listen, it has never happened before
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6. |
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slow motion
accident
destiny
there it goes, everything i’ve known
here it comes, everything i’ve grown
here they come, people all my own
horse stars racing on
now i have become
welcome in this home
all along disguised
and so alone
only had my work
for my company
and with nothing else
it’s overtaken me
this shackle and plough are as much mine as
anything i’ve known
and now it’s over
like a protecting shell it came off in due time
and I’m uncovered
my work becomes me, grows my field of gravity
and I hover
wait what what??
stable state
constant change
chaos straight
burning strange
as i’ve always known
and it’s always been
eventually gravity must win
and the final tool with which to defend
pressured electrons, as they come to end
ahh, ooh
**
with you, my friend
it’s always scintillating
you who taught me what I know
and put me to meaningful work
are none the more prosperous
for having taken all the credit
it’s okay, it will all be over soon
don’t trust me, just ask yesterday
with every further step the burden grows
and yet deliverance’s beacon shows
i’ll get there with or without this weight
though the fruit’s bittersweet that it makes
i kept these hours, so faithfully
that it changed the inner shape of me
watched it fall away by my command
perhaps abandoned, but anyway outgrown.
investigation results: the order was internal.
abandon ship, become the vessel
as long as i could hear listening
i was never afraid to work
but now the din has grown so deafening
that it’s droning my words into dirt
from bird’s eye view up here, it’s clear to see
the bulk of this work rests on me
only my own generosity
keeps me breathing deeply
the-so-lar-wind
~
racing across the universe a beacon of my own
translates as orders internal: system reboot
i’m working back to something not unknown
by the same task that raised us we blaze a new route
it’s one thing to burn, to burn up entirely another
unfortunate circumstances notwithstanding
a blast of hot air lifts my labor like a lover
until work, suspended, becomes its own landing
destruction drones on, a dramatized distraction
the din of weary working groans abounds
all voices caught in chorus-of-conflict and reaction
i hear there must be music in these sounds
what is it that is happening to me?
i’m unable or unwilling anymore
though all the lights are on ostensibly
it’s sucked in by the black hole in the floor
to finish this i must pull out my deepfake
and train with great precision and protection
for the blade which whittles this keepsake
i suspect will also sever the connection
for not even the mirror earns our trust
like most of us, it only knows its view
we think we’re mad to smash it, though we must
as long as we mean ‘we’ when we say ‘you’
~
—there’s —a bea-con —across —horizon
—it’s —the same one —that i’ve been describing for some time
—but now —i must —race —onward
—away —my work —eventually becomes a pull all of its own
~
One day, work will be done
Yes one day, work will be done
O my lord, O my lord
By my hand, or else by none,
by my hand, or else by none,
My own work is my only word.
they said i’s born to work
they ain’t known me from birth
but provided everything
‘cept a word about my wings
i could not seem to wait
so I carried the weight
then he gave me a name
and then he rose to fame
life was never the same
seemed like i was to blame
one day i heard a sound
figured out a workaround
in time cost me too much
my work i couldn’t touch
then my work came to me
most conspicuously
now i live as a star
still don’t know who we are
work’s what i’ve always been
no beginning, no end
no rest for weary me
long as we choose to be
work lives on after me
in the form of gravity
work will never be done
that’s the way that we run
as known since we begun,
“by your hand or by none”
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Amos Fisher Music New York
I compose "anti-chamber music" for a rotating lineup of mixed instruments called the Anomylos Ensemble; dark minimalist progressive punk for my band CONTINUUS; psychedelic surreal sound art in solo as "somA" or with improv multimedia group The Azerbaijan A/V Club; as well as simple songs with poetic lyrics sung solo on guitar. Dig whatever you can, bring your own shovel. ... more
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